She assumed—as did Oscar Wilde, one of her great influences—that art of all kinds shaped the world. Writers and artists did not imitate nature—as Aristotle argued—but rather created their own world, so that the works of art are autonomous; they are independent entities that have to be judged in their own terms and not by any standard that society imposed on art or the artist.
One of these is the sensibility -- unmistakably modern, a variant of sophistication but hardly identical with it -- that goes by the cult name of "Camp. It is not a natural mode of sensibility, if there be any such Many things in the world have not been named; and many things, even if they have been named, have never been described.
It is not a natural mode of sensibility, if there be any such. Indeed the essence of Camp is its love of the unnatural: And Camp is esoteric -- something of a private code, a badge of identity even, among small urban cliques. To talk about Camp is therefore to betray it.
If the betrayal can be defended, it will be for the edification it provides, or the dignity of the conflict it resolves. For myself, I plead the goal of self-edification, and the goad of a sharp conflict in my own sensibility. I am strongly drawn Susan sontag 1966 essay camp Camp, and almost as strongly offended by it.
That is why I want to talk about it, and why I can. For no one who wholeheartedly shares in a given sensibility can analyze it; he can only, whatever his intention, exhibit it. To name a sensibility, to draw its contours and to recount its history, requires a deep sympathy modified by revulsion.
|Three to compare||Visconti's direction of Salome and 'Tis Pity She's a Whore certain turn-of-the-century picture postcards the Cuban pop singer La Lupe Lynn Ward's novel in woodcuts, God's Man the old Flash Gordon comics women's clothes of the twenties feather boas, fringed and beaded dresses, etc. Camp taste has an affinity for certain arts rather than others.|
|Susan Sontag Sontag, Susan (Vol. ) - Essay - schwenkreis.com||Shugart and Waggoner note saturation of camp in contemporary popular culture, citing examples including but not limited to Desperate Housewives, Buffy the Vampire Slayer, Prince, Christina Aguilera, and Will and Grace.|
Though I am speaking about sensibility only -- and about a sensibility that, among other things, converts the serious into the frivolous -- these are grave matters. Most people think of sensibility or taste as the realm of purely subjective preferences, those mysterious attractions, mainly sensual, that have not been brought under the sovereignty of reason.
They allow that considerations of taste play a part in their reactions to people and to works of art. To patronize the faculty of taste is to patronize oneself.
For taste governs every free -- as opposed to rote -- human response.
Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality.
Intelligence, as well, is really a kind of taste: One of the facts to be reckoned with is that taste tends to develop very unevenly. Taste has no system and no proofs. But there is something like a logic of taste: A sensibility is almost, but not quite, ineffable. Any sensibility which can be crammed into the mold of a system, or handled with the rough tools of proof, is no longer a sensibility at all.
It has hardened into an idea. To snare a sensibility in words, especially one that is alive and powerful,1 one must be tentative and nimble. The form of jottings, rather than an essay with its claim to a linear, consecutive argumentseemed more appropriate for getting down something of this particular fugitive sensibility.
One runs the risk of having, oneself, produced a very inferior piece of Camp. These notes are for Oscar Wilde.Against Interpretation was Susan Sontag's first collection of essays and is a modern classic.
Originally published in , it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, /5(7). Sontag’s Wildean provocations reached their apogee in her famous essay, Notes on Camp, also collected here.
The debt to Wilde is manifest on almost every page. Remarkably, Sontag holds her. Susan Sontag was a critical essayist, cultural analyst, novelist and filmmaker.
in she gained recognition for her essay “Notes on Born: Jan 16, Camp then, can be viewed as an aesthetic far broader in reach than Susan Sontag’s original conception of camp as artifice. In her seminal essay, “Notes on ‘Camp,’” Susan Sontag addresses the impossibility of a strict definition of camp, for camp is not a strict idea, but a “sensibility” (Sontag ).
Notes On "Camp" by Susan Sontag. Published in Many things in the world have not been named; and many things, even if they have been named, have never been described. The form of jottings, rather than an essay (with its claim to a linear, consecutive argument), seemed more appropriate for getting down something of this .
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